My work does not have a specific narrative. It does not choose a side or take a stand. The most interesting ideas lie at the point of intersection and entanglement. My works are observations of
the absurdity of an endless evolution of choice and meaning. Compressing, stacking, stretching, erasing, flattening, balancing, sequencing, bonding, smashing, arranging in an effort to control and contain, resisting the implications of failure and imperfection.